Each chapter ends with the stations playing that era's music right now, so you can read about Hank Williams and then hear him.
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Chapter 1 · 1922–1933 Before the dial: the first country records A Texas fiddler in a New York studio, a hit nobody at the label liked, and ten days in Bristol that set the pattern for everything after.
Photo: Springfulutopia, CC BY-SA 4.0 -
Chapter 2 · 1923–1943 The barn dances: WLS, WSM and the Grand Ole Opry How an insurance company's radio station, a showman from Memphis and a Saturday-night fiddle show became the most famous stage in American music.
Photo: Garrett A. Wollman, CC BY-SA 2.5 -
Chapter 3 · 1930–1946 Singing cowboys, western swing and the border blasters In the 1930s country music went west — to Hollywood, to the Texas dance halls, and to half-million-watt transmitters just across the Mexican border.
Photo: Harry Warnecke / Robert F. Cranston, Public domain -
Chapter 4 · 1933–1955 Honky-tonk: jukeboxes, heartbreak and Hank When Prohibition ended, country music moved into the bar. It got louder, sadder and more honest — and produced the most influential songwriter it has ever had.
Photo: Michael Rivera, CC BY-SA 4.0 -
Chapter 5 · 1939–today Bill Monroe and the invention of bluegrass Most music styles grow up slowly. Bluegrass has a founder, a birthplace on the Opry stage, and a band line-up everyone still copies — then it outlived the radio format that ignored it.
Photo: bunky's pickle, CC BY-SA 2.0 -
Chapter 6 · 1954–1972 The Nashville Sound, and Bakersfield's answer Rock and roll nearly killed country music. Nashville fought back with strings and smooth vocals; California fought back with Telecasters. Meanwhile, radio invented the all-country station.
Photo: Decca Records, Public domain -
Chapter 7 · 1970–1980 The outlaws Willie went home to Texas, Waylon took his own band into the studio, and a compilation album of old tracks became the first country record to sell a million.
Photo: RCA Records, Public domain -
Chapter 8 · 1980–1999 From Urban Cowboy to the '90s boom A John Travolta film put a mechanical bull in every city, the neotraditionalists took country back, and a new way of counting records revealed the biggest audience the music had ever had.
Photo: Van.ike, CC BY-SA 3.0 -
Chapter 9 · 1968–2015 Alt-country, Americana and the road around radio While country radio narrowed, a parallel country music grew up beside it — on punk stages, on college and public radio, and in the Texas and Oklahoma bars that never needed Nashville.
Photo: Dejan Krsmanovic, CC BY 2.0 -
Chapter 10 · 2010–now Bro-country, streaming and the fight over the charts Trucks and tailgates, a chart row over a viral hit, a debate about who gets played — and then country became one of the fastest-growing kinds of music in the world.
Photo: Vane Ruth79, CC BY-SA 4.0
